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Editorial Critical Studies in Television (IF 0.9) Pub Date : 2025-04-06 Kim Akass, Cathrin Bengesser, Stephen Lacey, Janet McCabe
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Book Review: Babylon Berlin German visual spectacle and global media culture BaerHesterSmithJill Suzanne (eds), Babylon Berlin German Visual Spectacle and Global Media Culture. London: Bloomsbury, 2024; 272 pp. ISBN 978-1-350-37005-0 £58.50 (hb) Critical Studies in Television (IF 0.9) Pub Date : 2025-03-24 Cathrin Bengesser
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Book Review: UK and Irish Television Comedy Representations of Region, Nation and Identity IrwinMaryMarshallJill (Eds). UK and Irish Television Comedy Representations of Region, Nation and Identity. Cham, Switzerland: Palgrave MacMillan, 2023; 250 pp. ISBN 9783031236280 £119.99 (hbk), 978303123631 £119.99 (pbk), 9783031236297 £99.99 (ebk) Critical Studies in Television (IF 0.9) Pub Date : 2025-03-21 Phil Wickham
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Book Review: The Scandinavian Invasion: Nordic Noir and Beyond McCullochRichardProctorWilliam (eds), The Scandinavian Invasion: Nordic Noir and Beyond. Lausanne: Peter Lang, 2023; 340 pp. ISBN 9781788740494 £50 (hbk), 9781788740517 £50 (ePUB), 9781788740500 £50 (PDF) Critical Studies in Television (IF 0.9) Pub Date : 2025-03-20 Anne Marit Risum Waade
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Book Review: Creating the Viewer: Market Research and the Evolving Media Ecosystem WyattJustin, Creating the Viewer: Market Research and the Evolving Media Ecosystem. Austin: University of Texas Press, 2024; 313 pp. ISBN 1477316515, £87.00 (hbk), 1477329064, £27.99 (pbk) Critical Studies in Television (IF 0.9) Pub Date : 2025-03-19 Will Kitchen
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Book Review: Histories of Children’s Television Around the World GozanskyYuval (ed), Histories of Children’s Television Around the World. New York: Peter Lang Publishing, 2023; 289 pp. ISBN 9781433196720, £84 (hbk), 9781433199028, £32 (pbk), 9781433198939 £32 (pdf), 9781433198946 £32 (epub) Critical Studies in Television (IF 0.9) Pub Date : 2025-03-19 Emma Horsley-Heather
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US television’s expanding modes of industrial practice Critical Studies in Television (IF 0.9) Pub Date : 2025-03-14 Amanda D Lotz
The multifaceted change in series production and distribution since the turn of the century has diversified industrial structures and, correspondingly, expanded the scope of commercially viable storytelling. This expansion has introduced variation that has made it difficult to make claims of television series to the extent once possible. This article identifies ‘modes of industrial practice’ as a heuristic
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Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico Critical Studies in Television (IF 0.9) Pub Date : 2025-03-14 Guillermo Echauri
This article examines Prime Video’s original comedy content in Mexico through aesthetic and industrial analysis, and identifies, describes and explains non-disruptive streaming television programming, a category of streaming television content that represents a clear sense of continuity with legacy television. This study highlights the relevance of Mexican actor and producer Eugenio Derbez and his
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From paleo- to neo-television: A semio-pragmatic approach Critical Studies in Television (IF 0.9) Pub Date : 2025-02-25 Francesco Casetti, Roger Odin
This article is an English-language translation of ‘De la paléo- à la néo-télévision’ by Francesco Casetti and Roger Odin (1990), originally published in French. The article highlights transformations in the transition from paleo- to neo-television in France and Italy at the time when private television proliferated in Europe. From a semio-pragmatic perspective, it seeks to understand how the change
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Scandalous romantic refraction: Reframing rape culture and coercive control on television Critical Studies in Television (IF 0.9) Pub Date : 2025-02-12 Laurena Bernabo
This article provides a critical analysis of the Olivia/Fitz relationship in Scandal, exploring their interactions and the program’s treatment of sexual and relational abuse in the context of the popular feminism in U.S. television. Scandal follows Olivia Pope, a political fixer who solves problems for D.C. elites while navigating a tumultuous personal life including an on-again/off-again affair with
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Stretching authenticity in times of restricted mobility: Transtextuality, place anchoring, and boredom in romance reality show 90 Day Fiancé: Self-Quarantined Critical Studies in Television (IF 0.9) Pub Date : 2025-01-29 Georgia Aitaki
The article explores the impact of the COVID-19 pandemic on the production and narrative strategies of the 90 Day Fiancé franchise, focusing on its spin-off, 90 Day Fiancé: Self-Quarantined (2020). It examines how the programme adapted to mobility restrictions and lockdown policies through self-filming, remote interviewing, and focusing on mundane, pandemic-specific activities. Using theories of reality
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Jenna Ng (2021). The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Shaopeng Chen
Film-Philosophy, Volume 29, Issue 1, Page 296-299, February, 2025.
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Victor Fan (2022). Cinema Illuminating Reality: Media Philosophy through Buddhism Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 William Brown
Film-Philosophy, Volume 29, Issue 1, Page 292-295, February, 2025.
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Jean Ma (2022). At the Edges of Sleep: Moving Images and Somnolent Spectators Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Juan Camilo Velásquez
Film-Philosophy, Volume 29, Issue 1, Page 288-291, February, 2025.
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Julian Hanich & Martin P. Rossouw (Eds.) (2023). What Is Film Good For? On the Values of Spectatorship Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Francesco Sticchi
Film-Philosophy, Volume 29, Issue 1, Page 283-287, February, 2025.
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Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Greg Hainge
Film-Philosophy, Volume 29, Issue 1, Page 264-282, February, 2025.
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From Ascetic Ideals to Honest Illusions: A Nietzschean Interpretation of Inception Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Yonghwa Lee, Kyoung-Min Han
Film-Philosophy, Volume 29, Issue 1, Page 244-263, February, 2025.
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Eternity Descending into Time: Badiou and the Cinematic Temporality of Love Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Lu Zeng
Film-Philosophy, Volume 29, Issue 1, Page 221-243, February, 2025.
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Speculative Transitions: Hegel, John Huston’s Moby Dick and the Dissolve Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Joshua Harold Wiebe
Film-Philosophy, Volume 29, Issue 1, Page 199-220, February, 2025.
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The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Conall Cash
Film-Philosophy, Volume 29, Issue 1, Page 169-198, February, 2025.
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Dwelling in the Abyss: Society in Werner Herzog and Martin Heidegger Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Haotian Wu
Film-Philosophy, Volume 29, Issue 1, Page 144-168, February, 2025.
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The Action Mode: Mile 22 and the Tension of Hypermediated Embodiment Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Jonah Jeng
Film-Philosophy, Volume 29, Issue 1, Page 119-143, February, 2025.
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Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Louis Samuel Mealing
Film-Philosophy, Volume 29, Issue 1, Page 94-118, February, 2025.
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The Ethics of Refusal in Terrence Malick’s A Hidden Life Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Marguerite La Caze, Magdalena Zolkos
Film-Philosophy, Volume 29, Issue 1, Page 72-93, February, 2025.
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Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Daniel Sullivan
Film-Philosophy, Volume 29, Issue 1, Page 46-71, February, 2025.
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Existential and Phenomenological Horror in Les Diaboliques Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Daniel Tilsley
Film-Philosophy, Volume 29, Issue 1, Page 23-45, February, 2025.
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Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 John Michael Corrigan, Justin Prystash
Film-Philosophy, Volume 29, Issue 1, Page 1-22, February, 2025.
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